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USER MANUAL
_MINIBRUTE V
Special Thanks
DIRECTION
Frédéric Brun
DEVELOPMENT
Pierre-Lin Laneyrie
Baptiste Aubry
Mathieu Nocenti
Raynald Dantigny
Corentin Comte
Marie Pauli
Alexandre Adam
Yann Burrer
Cyril Lepinette
Patrick Perea
Stéphane Albanese
Pascal Douillard
Christophe Luong
Pierre Mazurier
Fabien Meyrat
Samuel Lemaire
Pauline Alexandre
Gonçalo Bernardo
Samuel Limier
Pauline Alexandre
Fanny Roche
Rasmus Kürstein
Kevin Arcas
Alessandro De Cecco
Hugo Caracalla
Mauro De Bari
Geoffrey Gormond
Marius Lasfargue
Marc Antigny
Loris De Marco
Andrea Coppola
DESIGN
Edouard Madeuf
Callum Magill
Pierre Pfister
Maxence Berthiot
Florian Rameau
Shaun Ellwood
Morgan Perrier
Heloise Noir
Cédric Coudyser
SOUND DESIGN
Cédric Coudyser
Davide Puxeddu
Diego Tejeida
Gonçalo Bernardo
Jean-Baptiste Arthus
Kuba Sojka
NPTN
Simon Gallifet
Bastian Barth (Solidtrax)
Torcrafter
Victor Morello
Lily Jordy
Jean-Michel Blanchet
Quentin Feuillard
Maxime Audfray
Florian Marin
QUALITY ASSURANCE
Germain Marzin
Arnaud Barbier
Aurélien Mortha
Matthieu Bosshardt
Julian Viannenc
Roger Schumann
Adrien Soyer
Bastien Hervieux
Enrique Vela
Benjamin Renard
Nicolas Stermann
Nicolas Naudin
Arthur Peytard
Rémi Pelet
BETA TESTING
Marco Koshdukai Correia
Chuck Zwicky
Terry Marsden
Luis “Vertibration”
Macmoney
Gustavo Bravetti
Andrew Macaulay
Chuck Capsis
Jay Janssen
Jeff Cecil
Richard Courtel
Ken Flux Pierce
Apollo Negri
Kevin Dumas
Davide Puxeddu
Bastian Barth (Solidtrax)
Raphaël Cuevas
Stephen Wey
Andrew Capon
Kevin Dumas
Fernando Manuel
Rodrigues
Tony Flying Squirrel
Richard Courtel
Maxim Khutornoy
Dwight Davies
Mateo Relief vs. Mister X5
Mat Herbert
Terry Marsden
IN-APP TUTORIALS
Gustavo Bravetti
USER MANUAL
Stephen Fortner (writer) Jimmy Michon
© ARTURIA SA – 2024 – All rights reserved.
26 avenue Jean Kuntzmann
38330 Montbonnot-Saint-Martin
FRANCE
www.arturia.com
Information contained in this manual is subject to change without notice and does not
represent a commitment on Arturia's part. The software described in this manual is provided
under the terms of a license agreement or non-disclosure agreement. The software license
agreement specifies the terms and conditions for its lawful use. No part of this manual
may be reproduced or transmitted in any form or by any purpose other than purchaser’s
personal use without the written permission of ARTURIA S.A.
All other products, logos or company names quoted in this manual are trademarks or
registered trademarks of their respective owners.
Product version: 1.0.0
Revision date: 21 May 2024
Introduction
Congratulations on your purchase of Arturia MiniBrute V!
As with all of our products, we believe in offering the best of both worlds in a single
package and letting you choose how you want to use it. MiniBrute V offers all of the
sound and features of the original hardware MiniBrute. Prior to the MiniBrute, Arturia
developed only software instruments. With genius synthesist and engineer Yves Usson
at the development helm, the MiniBrute’s success launched our exploration of hardware,
leading to the comprehensive line of synthesizers, MIDI controllers, and audio interfaces we
create today.
MiniBrute V provides you with all of the sound and attitude of the original, with added
benefits such as DAW integration and polyphony. We can’t wait to hear the amazing music
you’ll make with it!
Peace, love, and music,
The Arturia team
Be sure to visit the website for information about all of our other great
www.arturia.com
hardware and software instruments. They have become indispensable, inspiring tools for
musicians around the world.
Table Of Contents
1. WELCOME TO MINIBRUTE V! ............................................................................................................................... 2
1.1. History of the MiniBrute synthesizer.......................................................................................................................... 3
1.2. Why MiniBrute V?................................................................................................................................................................. 4
2. ACTIVATION AND FIRST START.......................................................................................................................... 6
2.1. Register, Activate, and Install MiniBrute V ............................................................................................................ 6
2.2. Initial setup for stand-alone use ................................................................................................................................ 7
2.3. Playing MiniBrute V for the first time..................................................................................................................... 11
3. MAIN PANEL PART 1 — SYNTH ENGINE ......................................................................................................... 12
3.1. Common behaviors ........................................................................................................................................................... 13
3.2. Oscillator Mixer .................................................................................................................................................................... 14
3.3. Oscillator Controls ............................................................................................................................................................. 15
3.4. Filter............................................................................................................................................................................................. 18
3.5. Filter Envelope ...................................................................................................................................................................... 21
3.6. Amp Envelope....................................................................................................................................................................... 21
3.7. Dispersion ............................................................................................................................................................................... 22
3.8. Unison and tuning............................................................................................................................................................. 23
3.9. Onscreen keyboard ......................................................................................................................................................... 24
4. MAIN PANEL PART 2 — MODULATORS AND ARPEGGIATOR .......................................................... 25
4.1. Pitch Controls ........................................................................................................................................................................ 26
4.2. Modulation Wheel............................................................................................................................................................. 27
4.3. Performance Controllers.............................................................................................................................................. 27
4.4. Vibrato ...................................................................................................................................................................................... 28
4.5. LFO.............................................................................................................................................................................................. 29
4.6. Arpeggiator............................................................................................................................................................................. 31
4.7. Hold button............................................................................................................................................................................. 33
5. EFFECTS........................................................................................................................................................................... 34
5.1. Effects routing....................................................................................................................................................................... 34
5.2. Selecting an effect............................................................................................................................................................ 35
5.3. Effect presets ....................................................................................................................................................................... 36
5.4. Effect types............................................................................................................................................................................ 36
6. USER INTERFACE ....................................................................................................................................................... 56
6.1. Upper Toolbar........................................................................................................................................................................ 57
6.2. Lower Toolbar...................................................................................................................................................................... 62
6.3. The Side Panel..................................................................................................................................................................... 66
7. THE PRESET BROWSER.......................................................................................................................................... 77
7.1. Search and Results ............................................................................................................................................................. 77
7.2. Using Tags as a Filter....................................................................................................................................................... 78
7.3. Search Results window ................................................................................................................................................ 80
7.4. Sidebar...................................................................................................................................................................................... 82
7.5. Preset Info Section ........................................................................................................................................................... 84
7.6. Preset selection: other methods............................................................................................................................... 86
7.7. Macro knobs ........................................................................................................................................................................... 87
7.8. Playlists ..................................................................................................................................................................................... 87
8. SOFTWARE LICENSE AGREEMENT................................................................................................................... 91
1. WELCOME TO MINIBRUTE V!
Congratulations and thank you for your purchase of MiniBrute V. It is a state-of-the-
art software model of the original MiniBrute analog hardware synth first released by
Arturia in 2012. The MiniBrute was a raw, unruly sounding instrument that captured the
attention of musicians due to its vintage-style architecture and affordable price. MiniBrute
V faithfully re-creates all of the sound and controls of the original MiniBrute while adding
all the convenience of a software instrument you can play stand-alone or use as an AAX,
AudioUnit, or VST plug-in for your favorite DAW. Oh, and there’s another big difference:
The hardware MiniBrute was a monophonic synth; MiniBrute V offers up to eight voices of
polyphony!
Arturia - User Manual MiniBrute V - WELCOME TO MINIBRUTE V! 2
1.1. History of the MiniBrute synthesizer
The analog synth renaissance began in the early 2000s thanks to such boutique
instruments as the Minimoog Voyager. By the 2010s, the party was in full swing but almost
no analog synthesizers offering meaningful musical power at a very affordable price were
on the market. Arturia was known for its highly accurate virtual instruments, and their
success inspired founder Frédéric Brun to respond to the demand for a compact, affordable
hardware synth with a true analog signal path, a one-control-per-function panel, and an
aggressive sonic personality.
Arturia reached out to hardware engineer , and by 2012, their collaboration
Yves Usson
resulted in the original MiniBrute. The MiniBrute took a page from synthesizers such as the
Octave Cat and Roland SH-101: an oscillator that could produce multiple waveforms and let
the player mix their levels.
Notably, the MiniBrute featured a multi-mode filter design based on the rare Steiner-Parker
Synthacon.
This filter had a slope of 12dB per octave as opposed to the more common 24dB per octave,
so it was more gentle, but only in terms of its rolloff. At low gain, it was known for being
very clean but could sound downright nasty if driven with hotter input levels.
Arturia’s original MiniBrute analog synthesizer
The Steiner-Parker Synthacon inspired the MiniBrute’s filter
3 Arturia - User Manual MiniBrute V - WELCOME TO MINIBRUTE V!
Other marquee features of the MiniBrute included the Ultrasaw control, which adds two
phase-shifted copies of the sawtooth wave to the original for a monstrously thick sound. The
Metalizer performs wavefolding on the triangle waveform; small amounts added harmonic
sparkle while turning it up could lead all the way to metallic madness. Then, the adjustable
Brute Factor fed the output of the filter back into its input, mirroring the overdrive-producing
trick of patching the headphone output of a synthesizer into an external audio input.
It all came in a compact but rugged package with two octaves of full-sized keys. Best of all,
the list price was US$549, making it an affordable purchase for any sound explorer.
1.2. Why MiniBrute V?
Why would Arturia create a virtual version of our own hardware synth? Our marketing
department might say that we have so little competition, we had to compete with ourselves!
Actually, with the first MiniBrute replaced by the 2 and 2S models as of 2016, the original
is now a classic that we wanted to see live on. Many synthesists love the original, so we
wanted to bring it back, only with all the advantages of software.
The first of those advantages is polyphony. MiniBrute V can play in four- or eight-voice
poly modes as well as retrigger and legato mono modes. Why not just make a polyphonic
hardware Brute? We do — it’s called the , but there’s no way to bring you all its
PolyBrute
analog circuitry at a price close to the MiniBrute, let alone the price of a software version.
Like any virtual instrument, MiniBrute V’s parameters can be fully automated in your DAW
and/or MIDI-learned to hardware controls. Where the hardware was a no-presets affair,
MiniBrute V has our signature Preset Browser on hand, packed with patch Presets from
some of the best and brightest sound designers in the industry.
Software also allows for massive effects power, so we added our V Collection effects
engine, providing up to four simultaneous slots with a choice of 17 pedal-style effects each.
Arturia - User Manual MiniBrute V - WELCOME TO MINIBRUTE V! 4
1.2.1. MiniBrute V feature summary
• Modeled analog synth sound and behavior down to the circuit level
• Sawtooth, pulse, triangle, and noise waveforms available at the same time
• Ultrasaw mixes thick, stacked sawtooth waves
• Sub-oscillator with sine and pulse waveform types
• Classic-style Arpeggiator with tempo sync
• Unison with detune for absolutely huge sound
• Metalizer transforms triangle wave into a harmonically complex waveform
• Brute Factor creates filter overdrive from subtle to extreme
• Six Dispersion trim knobs add non-linear analog qualities to pitch, waveform,
cutoff, and other aspects of the sound
• Four pedal effects slots with a choice of 17 effect types each
• Time-based effects can sync to tempo
• All parameters are fully automatable in your DAW
• Controls may be MIDI-learned for assignment to physical knobs and sliders on
a controller keyboard
• Four Macros can adjust multiple parameters via a single knob twist
• Stand-alone and plug-in operation in all major formats
• Factory Presets by top sound designers
And now, let’s travel through time and relative dimensions in sound with MiniBrute V.
Allons-y!
5 Arturia - User Manual MiniBrute V - WELCOME TO MINIBRUTE V!
2. ACTIVATION AND FIRST START
2.1. Register, Activate, and Install MiniBrute V
MiniBrute V works on computers equipped with Windows 10 or later and macOS 11 or later.
You can use it as a standalone version or as a plug-in for your favorite DAW (Digital Audio
Workstation) in Audio Units, AAX, VST2, or VST3 format.
Before you install or register the software, you’ll need to create a My Arturia account
here, using an email address and password of your choice: https://www.arturia.com/
createanaccount/
While it’s possible to handle registration, activation, and other tasks manually online, it’s far
simpler to download and use the Arturia Software Center app, which can be found here:
https://www.arturia.com/support/downloads-manuals
You’ll enter your email address and password to set up Arturia Software Center, which acts
as a central location for all of your Arturia software registrations and activations. It also
helps you install and update your software by keeping tabs on current versions.
You can register, activate, and install your product inside Arturia Software Center by
pressing the button, and clicking the boxes to and thenRegister a new product Activate
Install your software. The registration process will require you to enter the serial number
and the unlock code you received when you bought your software.
This image of Arturia Software Center shows MiniBrute V already installed
and an update to Pigments in the process of downloading.
Arturia - User Manual MiniBrute V - ACTIVATION AND FIRST START 6
You can also do this online by logging into your account and then following the instructions
here: https://www.arturia.com/register
Once you’ve registered, activated, and installed MiniBrute V, it’s time to get it to talk to your
computer.
2.2. Initial setup for stand-alone use
If you would like to use MiniBrute V in standalone mode, you will need to ensure that its
MIDI input/output and audio outputs are being routed properly to and from the software.
You’ll generally only need to do this once, unless you change your MIDI controller or audio/
MIDI interface. The setup process is the same on both Windows and macOS.
! This section only applies to those of you who plan to use MiniBrute V in stand-alone mode. If you
are only going to use MiniBrute V as a plug-in inside a host DAW or other music software, you can
safely ignore this section – your host music software handles these settings.
2.2.1. Audio and MIDI settings: Windows
At the top left of the MiniBrute V application is a pull-down menu. It contains various setup
options.
Click on to open the following window. This works in the same way onAudio Midi Settings
both Windows and macOS, although the names of the devices available to you will depend
on the hardware you are using. Remember, this option is only available (and needed) in the
standalone version of MiniBrute V.
MiniBrute V Main Menu
7 Arturia - User Manual MiniBrute V - ACTIVATION AND FIRST START
Starting from the top, you have the following options:
• Selects which audio driver will handle playback of MiniBrute V. ThisDriver:
can be your computer’s internal driver, a generic ASIO driver, or an external
soundcard or interface driver. The name of your hardware interface(s) may
appear in the field below, depending on your selection.
• Selects the audio hardware through which you will hear MiniBrute V.Device
• lets you select which of the available outputs will be used toOutput Channels
route audio out. If you only have two outputs, this selection box will not be
shown. If you have more than two, you can select a specific pair of outputs.
• The menu lets you select the size of the audio buffer your computerBuffer Size
uses to calculate sound. The latency in milliseconds is displayed after the buffer
size setting.
! A smaller buffer means lower latency, i.e. a shorter delay between pressing a key and hearing the
note, but loads your CPU more heavily and can cause pops or clicks. A larger buffer means a lower
CPU load, as the computer has more time to think, but can result in a noticeable delay between playing
a note and hearing it. A fast, modern computer should easily be able to operate at a buffer size of 256
or even 128 samples without clicks If you still get clicks, enlarge the buffer size until they stop.
• The menu lets you set the sample rate at which audio is sent out ofSample Rate
the instrument.
! The options here will depend on what your audio device can support; nearly every device can
operate at 44.1 kHz or 48 kHz, which will be perfectly fine for most applications. If you have a specific
need to use a higher sample rate, up to 96 kHz, MiniBrute V will happily support that.
Audio MIDI Settings for Windows
Arturia - User Manual MiniBrute V - ACTIVATION AND FIRST START 8
• The button will jump to the system control panel forShow Control Panel
whatever audio device is selected.
! Note that this button is only available in the Windows version.
•Test Tone Playsends a short test tone when you click the button, to help you
troubleshoot audio issues. You can use this feature to confirm that the instrument
is routed correctly through your audio interface and that audio is playing back
where you expect to hear it (your speakers or headphones, for example).
• The area will display any MIDI devices you have connected toMIDI Devices
your computer (if any). Click the check box to accept MIDI from the device(s)
you want to use to control the instrument. You can select multiple MIDI devices
at once with the checkboxes.
! In standalone mode, MiniBrute V listens to all MIDI channels, so there’s no need to specify a
channel.
•Tempo sets a base tempo for features inside MiniBrute V such as LFO and
effects sync. When using MiniBrute V as a plug-in, the instrument gets tempo
information from your host software.
2.2.2. Audio and MIDI settings: macOS
The menu for setting up audio and MIDI devices for macOS is accessed in the same way
as for Windows, and the setup process is nearly identical. All options work the same way
as described above in the Windows section. The only difference is that all macOS devices,
including external audio interfaces, use the CoreAudio driver built into macOS to handle
routing. In the second dropdown menu under , choose the audio device you wish toDevice
use.
Audio MIDI Settings for macOS
9 Arturia - User Manual MiniBrute V - ACTIVATION AND FIRST START
2.2.3. Using MiniBrute V as a plug-in
MiniBrute V comes in VST2, VST3, Audio Unit (AU), and AAX plug-in formats, for use in all
major DAW software such as Ableton Live, Cubase, Logic, Pro Tools, Studio One, and more.
When using MiniBrute V as a plug-in, all audio and MIDI device settings are handled by your
host music software. Please refer to your host music software’s documentation if you have
any questions about loading or using plug-ins.
Note that when you load MiniBrute V as a plug-in instrument inside your host software, its
interface and settings work the same way as in standalone mode (see below), with a few
small differences:
• MiniBrute V will synchronize to your DAW’s host tempo/BPM when sync is
required
• You can automate numerous parameters using your DAW’s automation system
• You can use more than one instance of MiniBrute V in a DAW project
• You can run the outputs of MiniBrute V through any additional audio effects
available to your DAW, such as delay, chorus, filters, etc.
• You can route MiniBrute V’s audio outputs creatively inside your DAW, using the
DAW’s own audio routing system.
MiniBrute V’s interface looks the same in plug-in mode as in standalone mode.
Arturia - User Manual MiniBrute V - ACTIVATION AND FIRST START 10
2.3. Playing MiniBrute V for the first time
Now that you have MiniBrute V up and running, let’s take it for a quick test drive!
If you haven’t done so already, launch MiniBrute V as a plug-in or as a stand-alone
instrument. If you have a MIDI controller set up, use it to play some notes on MiniBrute V.
You might first need to activate your MIDI controllers in the MIDI Settings (see above). You
can also use your mouse to play the on-screen keyboard or use the keys of your computer
keyboard.
The up and down arrows at the top of the instrument let you step through all of MiniBrute
V’s available presets. Try playing a few, and when you find one that you like, try adjusting
some of the other on-screen controls to see how they affect the sound.
Play with the controls, and don't worry — nothing is saved unless you specifically save a
preset (described later in this User Guide), so there is no risk you'll mess up any of MiniBrute
V’s factory presets.
We hope this chapter has gotten you off to a smooth start. Now that you’re up and running,
the rest of this guide will help you work your way through all of MiniBrute V’s features on
a section-by-section basis. By the time you reach the end, we hope you’ll understand all
of MiniBrute V’s capabilities – and will be using this fantastic instrument to create equally
fantastic music!
11 Arturia - User Manual MiniBrute V - ACTIVATION AND FIRST START
3. MAIN PANEL PART 1 — SYNTH ENGINE
In this chapter we will cover the core synth engine functions of MiniBrute V, which are as
follows:
Number Area Description
1. Mixes oscillator waveforms, sub-oscillator, and noiseOscillator Mixer [p.14]
2. Oscillator Controls
[p.15]
Adjusts sound of oscillator, including sub-osc, Ultrasaw, and Metalizer
features
3. Filter [p.18] Controls the Steiner-style resonant filter
4. ADSR envelope dedicated to filter cutoff
Filter Envelope [p.21]
5. ADSR envelope dedicated to volume/VCA levelAmp Envelope [p.21]
6. Adds variance across voices to six aspects of the soundDispersion [p.22]
7. Unison and Tuning
[p.23] Unison mode, unison detune, Vintage, and fine tuning controls
The will cover the wheels, LFO, arpeggiator, and other sound-modifier
next chapter [p.25]
functions on the lower half of the panel.
This chapter covers the controls numbered in red above.
Arturia - User Manual MiniBrute V - MAIN PANEL PART 1 — SYNTH ENGINE 12
3.2. Oscillator Mixer
We will begin with the Oscillator Mixer section, because it contains the most basic building
blocks of the sound of MiniBrute V.
These straightforward sliders mix the available sound sources, any or all of which can be
active at the same time. From left to right, these are:
• The level of theSub Osc: Sub-Oscillator [p.15]
• The level of an upward sawtooth (ramp) waveformSaw:
• The level of a pulse waveformPulse:
•Triangle: The level of a triangle waveform
• The level of a white noise sourceNoise:
♪Pushing the levels to high settings will drive the filter’s non-linear and saturation characteristics,
while lower levels will result in smoother, cleaner sounds. So, use the Oscillator Mixer sliders with intent
and you will be pleasantly surprised at MiniBrute V’s tonal range!
Further sonic control over some of these waveforms is found in the Oscillator section, which
we will cover now.
The Oscillator Mixer in MiniBrute V
Arturia - User Manual MiniBrute V - MAIN PANEL PART 1 — SYNTH ENGINE 14
3.3. Oscillator Controls
This section is home to further control over the character of the oscillator waveforms.
Between the Sub-Oscillator, Ultrasaw, Pulse Width, and Metalizer, you can craft sounds that
are more harmonically complex (and if you like, more rude) than are possible with basic
subtractive synthesis.
3.3.1. Sub-Oscillator
Two toggle switches control what you hear when the slider in the Oscillator MixerSub Osc
is turned up.
•Wave: Selects between pulse or sine waves as the Sub-Oscillator waveform
• Chooses whether the Sub-Oscillator pitch is one or two octaves lowerOctave:
than the main waveforms
The Oscillator Mixer in MiniBrute V
Sub-oscillator waveform and octave switches
15 Arturia - User Manual MiniBrute V - MAIN PANEL PART 1 — SYNTH ENGINE
Tuotetiedot
| Merkki: | Haier |
| Kategoria: | Ei luokiteltu |
| Malli: | HATS9CBS4BWIFI |
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